Frontline FOH Audio Guide: Difference between revisions
From Zero Collective Wiki
Added FOH Audio Guide |
No edit summary |
||
Line 1: | Line 1: | ||
[https://youtu.be/2IZ4JUPVV2A Click here] for a video guide on FOH Audio! | [https://youtu.be/2IZ4JUPVV2A Click here] for a video guide on FOH Audio! | ||
== Role Overview == | |||
== Getting Started == | == Getting Started == | ||
Line 21: | Line 23: | ||
# Follow the system off procedure found here. | # Follow the system off procedure found here. | ||
# Ensure all microphones and wireless packs are plugged into their respective chargers behind the stage | # Ensure all microphones and wireless packs are plugged into their respective chargers behind the stage | ||
== Safeties, Consistencies, Freedoms == | |||
===== Safeties ===== | |||
# Preamp Gain Setting | |||
#* Preamp gain should be checked and set for every input during rehearsal. Peak below 0 dB to prevent clipping and distortion while maintaining adequate headroom. | |||
#* Ensure enough fader control by keeping channel faders in an optimal range (e.g., between -10 dB and 0 dB). | |||
# Volume Management | |||
#* The mix should sound loud and full while staying within the church’s volume standards. | |||
#* Use Open Sound Meter to verify levels: Full band should reach 95 dBA and 105 dBC to maintain energy while ensuring a comfortable listening level. Keep speaking portions at an appropriate, consistent level (~75-85 dBA). | |||
# Master Fader at Unity | |||
#* For consistency and simplicity, the main mix output should remain at unity (0 dB). If overall volume needs adjustment, tweak individual channel levels instead of moving the master fader. | |||
# Lobby and Outside Audio | |||
#* Ensure the background playlist is running before and after service at an appropriate level (~70-75 dBA) to maintain the room atmosphere. | |||
#* Lobby audio should be turned on and at a consistent volume to match the sanctuary’s level while avoiding excessive loudness or distortion. | |||
# Feedback Elimination | |||
#* Proactively eliminate feedback by applying: | |||
#** Proper mic technique (ensure speakers and vocalists hold mics correctly and avoid cupping). | |||
#** Balanced gain structure (no unnecessary boosting). | |||
#** Surgical EQ adjustments (cut problem frequencies rather than just reducing gain). | |||
#** Gating on open mics (but not aggressively, to maintain natural sound). | |||
# Vocal Effects During Speaking Portions: | |||
#* All reverb, delay, and modulation effects on vocals should be turned down or off during speaking moments (e.g., transitions, prayer, sermon). | |||
# Autotune Adjustment: | |||
#* Ensure Autotune (if used) is set to the correct key for each song. | |||
#* Double-check with the worship leader if unsure of the key changes between or during songs. | |||
Consistencies | |||
===== Freedoms ===== |
Revision as of 15:43, 6 February 2025
Click here for a video guide on FOH Audio!
Role Overview
Getting Started
- If not already powered up, follow guide here.
- Turn on the soundboard (Push-button on the back right)
- If not already logged in, select the user “Admin” password is 8392
- Unlock the audio computer (Password under keyboard )
- Quit Reaper (CMD + Q ) (This step is not be neccesary now that we are using Dante)
- Reopen Reaper (Icon located in dock at bottom of the screen)
- Select still evaluating
- Don’t download the updates
- Press the Scene button on the sound board and reload the relevant scene for service/event
- Grab all mics and packs needed for the service from the gear room and place them on stage or in the tech booth for communicator mics
Turning OFF THE SYSTEM
- Save your scene
- Save Reaper (CMD + S )
- Do steps one and two again =)
- Follow the system off procedure found here.
- Ensure all microphones and wireless packs are plugged into their respective chargers behind the stage
Safeties, Consistencies, Freedoms
Safeties
- Preamp Gain Setting
- Preamp gain should be checked and set for every input during rehearsal. Peak below 0 dB to prevent clipping and distortion while maintaining adequate headroom.
- Ensure enough fader control by keeping channel faders in an optimal range (e.g., between -10 dB and 0 dB).
- Volume Management
- The mix should sound loud and full while staying within the church’s volume standards.
- Use Open Sound Meter to verify levels: Full band should reach 95 dBA and 105 dBC to maintain energy while ensuring a comfortable listening level. Keep speaking portions at an appropriate, consistent level (~75-85 dBA).
- Master Fader at Unity
- For consistency and simplicity, the main mix output should remain at unity (0 dB). If overall volume needs adjustment, tweak individual channel levels instead of moving the master fader.
- Lobby and Outside Audio
- Ensure the background playlist is running before and after service at an appropriate level (~70-75 dBA) to maintain the room atmosphere.
- Lobby audio should be turned on and at a consistent volume to match the sanctuary’s level while avoiding excessive loudness or distortion.
- Feedback Elimination
- Proactively eliminate feedback by applying:
- Proper mic technique (ensure speakers and vocalists hold mics correctly and avoid cupping).
- Balanced gain structure (no unnecessary boosting).
- Surgical EQ adjustments (cut problem frequencies rather than just reducing gain).
- Gating on open mics (but not aggressively, to maintain natural sound).
- Proactively eliminate feedback by applying:
- Vocal Effects During Speaking Portions:
- All reverb, delay, and modulation effects on vocals should be turned down or off during speaking moments (e.g., transitions, prayer, sermon).
- Autotune Adjustment:
- Ensure Autotune (if used) is set to the correct key for each song.
- Double-check with the worship leader if unsure of the key changes between or during songs.
Consistencies