Frontline FOH Audio Guide - Revision history

Jared: /* Freedoms */

2025-02-10T21:29:25Z

Freedoms

← Older revision		Revision as of 21:29, 10 February 2025
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	# Use of EQ and Compression to Achieve Desired Mix:		# Use of EQ and Compression to Achieve Desired Mix:
	#* FOH engineers ~~'''~~can shape the mix creatively~~'''~~, applying EQ and compression based on their ear and style while maintaining clarity and balance.		#* FOH engineers can shape the mix creatively, applying EQ and compression based on their ear and style while maintaining clarity and balance.
	#* Example approaches:		#* Example approaches:
	#** Slightly ~~'''~~boosting~~'''~~ a vocal’s ~~'''~~presence~~'''~~ to enhance clarity.		#** Slightly boosting a vocal’s presence to enhance clarity.
	#** ~~'''~~Tightening the low end~~'''~~ of the bass and kick for a punchier feel.		#** Tightening the low end of the bass and kick for a punchier feel.
	# Effects Chain Customization:		# Effects Chain Customization:
	#* Engineers can choose which plugins to use within Reaper and how to implement them.		#* Engineers can choose which plugins to use within Reaper and how to implement them.

Jared: /* Role Overview */

2025-02-10T19:51:01Z

Role Overview

← Older revision		Revision as of 19:51, 10 February 2025
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	== Role Overview ==		== Role Overview ==
			The FOH (Front of House) Audio Engineer leads worship by crafting a high-quality and engaging audio experience for the congregation during services. This role requires a balance of technical skill, musical sensitivity, and attention to detail to create a clear, dynamic, and distraction-free mix that encourages engagement in worship and other service elements.

	== Getting Started ==		== Getting Started ==

Jared at 19:49, 10 February 2025

2025-02-10T19:49:26Z

← Older revision		Revision as of 19:49, 10 February 2025
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	# Preamp Gain Setting		# Preamp Gain Setting
	#* Preamp gain should be checked and set for every input during rehearsal. Peak below 0 dB to prevent clipping and distortion while maintaining adequate headroom.		#* Preamp gain should be checked and set for every input during rehearsal. Peak below 0 dB to prevent clipping and distortion while maintaining adequate headroom.
	~~#* Ensure enough fader control by keeping channel faders in an optimal range (e.g., between -10 dB and 0 dB).~~
	# Volume Management		# Volume Management
	#* The mix should sound loud and full while staying within the church’s volume standards.		#* The mix should sound loud and full while staying within the church’s volume standards.
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	#* For consistency and simplicity, the main mix output should remain at unity (0 dB). If overall volume needs adjustment, tweak individual channel levels instead of moving the master fader.		#* For consistency and simplicity, the main mix output should remain at unity (0 dB). If overall volume needs adjustment, tweak individual channel levels instead of moving the master fader.
	# Lobby and Outside Audio		# Lobby and Outside Audio
	#* Ensure the ~~background~~ playlist is running before and after service at an appropriate level (~70-75 dBA) to maintain the room atmosphere.		#* Ensure the Walk-In Spotify playlist is running before and after service at an appropriate level (~70-75 dBA) to maintain the room atmosphere.
	#* Lobby audio should be ~~turned on~~ and at a consistent volume ~~to match~~ the ~~sanctuary’s level while avoiding excessive loudness or distortion~~.		#* Lobby audio and outside audio should be unmuted and playing at a consistent volume through the entirety of the morning.
	# Feedback Elimination		# Feedback Elimination
	#* Proactively eliminate feedback by applying:		#* Proactively eliminate feedback by applying:
	#** Proper mic technique (ensure speakers and vocalists hold mics ~~correctly and avoid cupping~~).		#** Proper mic technique (ensure speakers and vocalists hold mics at an appropriate distance).
	#** ~~Balanced~~ gain structure ~~(no unnecessary boosting)~~.		#** Appropriate gain structure.
	#** Surgical EQ adjustments (cut problem frequencies rather than just reducing gain).		#** Surgical EQ adjustments (cut problem frequencies rather than just reducing gain).
	#** ~~Gating~~ on open mics ~~(but not aggressively, to maintain natural sound)~~.		#** Light gating on open mics.
	# Vocal Effects During Speaking Portions:		# Vocal Effects During Speaking Portions:
	#* All reverb, delay~~, and modulation effects~~ on vocals should be turned down or off during speaking moments (e.g., transitions, prayer, ~~sermon~~).		#* All reverb and delay on vocals should be turned down or off during speaking moments (e.g., transitions, prayer, calls to worship).
	# Autotune Adjustment:		# Autotune Adjustment:
	#* Ensure Autotune ~~(if used)~~ is set to the correct key for each song.		#* Ensure Autotune is set to the correct key for each song.
	#* Double-check with the worship leader if unsure of the key changes between or during songs.		#* Double-check with the worship leader if unsure of the key changes between or during songs.

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	#* Lead vocalist should be the most prominent voice in the mix.		#* Lead vocalist should be the most prominent voice in the mix.
	#* Background vocals should blend to support the melody, adding energy without overpowering the lead.		#* Background vocals should blend to support the melody, adding energy without overpowering the lead.
	#* ~~Use compression~~ and EQ to ~~separate background vocals from the lead~~.		# Instrument Balance & Tonal Consistency
	#		#* The mix should have a balanced blend of instruments, ensuring that no single element dominates unless intended (e.g., a lead guitar solo or piano feature).
			#* Drums and bass should provide a solid foundation without overpowering.
			#* Keys, pads, and guitars should fill out the midrange without clashing.
			#* Subtle EQ adjustments should be used to carve out space for each instrument.
			#Muting and Fader Management
			#*Mute any channels or DCA's that are not in use to prevent any extra noisiness.
			#* Avoid sudden volume jumps. Even if you adjust a channel late, gradually bring up the fader.

	===== Freedoms =====		===== Freedoms =====

			# Use of EQ and Compression to Achieve Desired Mix:
			#* FOH engineers '''can shape the mix creatively''', applying EQ and compression based on their ear and style while maintaining clarity and balance.
			#* Example approaches:
			#** Slightly '''boosting''' a vocal’s '''presence''' to enhance clarity.
			#** '''Tightening the low end''' of the bass and kick for a punchier feel.
			# Effects Chain Customization:
			#* Engineers can choose which plugins to use within Reaper and how to implement them.
			#* Exceptions:
			#** We recommend keeping the "X-FBCK" Plugin on each vocal channel.
			#** Please do not remove or adjust the auto-tune plugins!
			# Creative Use of Wet Effects:
			#* Whether to use 1/8 note or 1/4 note delay when setting tap-tempo.
			#* Sending more or less delay based on the song's dynamics.
			#* Adjusting reverb amount for faster, punchier songs compared to slower, ballad-like songs.
			# Board Layout Customization
			#* Engineers may organize the "A" fader layer in a way that best suits their workflow.
			#* However, the core signal routing and key channels should remain in standard locations for consistency across operators and channel labels should remain consistent.

Jared: /* Freedoms */

2025-02-06T21:59:35Z

Freedoms

← Older revision		Revision as of 21:59, 6 February 2025
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	===== Consistencies =====		===== Consistencies =====

			# Speaking Mic Clarity
			#* Speaking mics should always be clear, warm, and loud enough for an easy listening experience over extended periods.
			#* Use gentle compression to maintain even levels.
			#* Apply subtle EQ shaping to remove mud (low mids) and enhance articulation (upper mids).
			# Vocal Prioritization
			#* Lead vocalist should be the most prominent voice in the mix.
			#* Background vocals should blend to support the melody, adding energy without overpowering the lead.
			#* Use compression and EQ to separate background vocals from the lead.
			#

	===== Freedoms =====		===== Freedoms =====

Jared: /* Freedoms */

2025-02-06T19:31:47Z

Freedoms

← Older revision		Revision as of 19:31, 6 February 2025
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	#* Double-check with the worship leader if unsure of the key changes between or during songs.		#* Double-check with the worship leader if unsure of the key changes between or during songs.

	Consistencies		===== Consistencies =====

	===== Freedoms =====		===== Freedoms =====

Jared at 15:43, 6 February 2025

2025-02-06T15:43:25Z

@@ Line 1: / Line 1: @@
 [https://youtu.be/2IZ4JUPVV2A Click here] for a video guide on FOH Audio!
 == Getting Started ==
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 # Follow the system off procedure found here.
 # Ensure all microphones and wireless packs are plugged into their respective chargers behind the stage

Zero: Added FOH Audio Guide

2024-07-30T15:33:32Z

Added FOH Audio Guide

New page

[https://youtu.be/2IZ4JUPVV2A Click here] for a video guide on FOH Audio!

== Getting Started ==

# If not already powered up, follow guide here.
# Turn on the soundboard (Push-button on the back right)
# If not already logged in, select the user “Admin” password is 8392
# Unlock the audio computer (Password under keyboard )
# Quit Reaper (CMD + Q ) ''(This step is not be neccesary now that we are using Dante)''
# Reopen Reaper (Icon located in dock at bottom of the screen)
## Select still evaluating
## Don’t download the updates
# Press the Scene button on the sound board and reload the relevant scene for service/event
# Grab all mics and packs needed for the service from the gear room and place them on stage or in the tech booth for communicator mics

== Turning OFF THE SYSTEM ==

# Save your scene
# Save Reaper (CMD + S )
# Do steps one and two again =)
# Follow the system off procedure found here.
# Ensure all microphones and wireless packs are plugged into their respective chargers behind the stage